Sunday, July 22, 2012

May you one day carry me home... but not just yet.

Before she left, she had wandered her hometown like a tourist. Directionless, spoilt, and with a slightly bewildered look on her face, as if she had no idea where the fuck she was.

But she knew how it worked, how this city functioned, more or less anyway. She knew where the coffee was good, where to get a pretentiously delicious breakfast and, if she wanted to, where she could watch, with beer sparkled eyes, a boy play guitar… or a ukulele.

And that’s all she needed to know.

Right?

So why did she feel like a stranger here?

It felt like another country, and she, a foreigner in it. This feeling had, at one stage, given familiar sites a mystery, made them ripe for further investigation. In her minds eye, she would be equipped with a big, magnifying glass, a bloodhound and a ready-to-seek-out-truth! attitude... in the back streets of Brunswick.

But this time, this strangeness; this listlessness (or perhaps more pertinently, this too-many-lists-iness) was different. Adulthood had fallen on her like a pound (or ten) of flour that was not yet scones or profiteroles, just a weighty bag holding an abundance of something she didn’t know what to do with. Not even the ‘creative class’ of Collingwood with their aggressive sense of ‘cool’ gave her the little thrill it used to. She was tired of pretending she was one of them. It was expensive and exhausting.

So she left.

She had dreamt of going to L.A. since she was a lonely teenager. She justified being a bit shit at maths back then, with the rationale that she would one day be a Hollywood star and had no practical need for trigonometry or Pythagoras. A future in Hollywood stardom was also a comfort when faced with other teenage girls and their aggressive sense of schoolyard popularity.

Alas, she did not arrive in LA with the blaze of Jon-Bon-Jovi-singing-on-a-rock-like glory she had imagined she would at 14. She was a failed TV writer, with pair leggings and heavy backpack … No bright lights and certainly no need for ‘shades’. The future was just a tired sense of elongated time that lay out before her like a long, dreary paddock where north and west were vague memories.

She was set for “true discovery”. At least, that’s what she fucking hoped. If there wasn’t true and authentic discovery here, this trip was going to be a compete disappointment. She was overseas in search for herself. At 30, at the height of her Saturn Return, she was a walking, talking, dressed up cliche. And she had nothing except a one-way plane ticket... and a fridge in her parents’ garage. At 22, this would be paradise. At 30, there was a niggling fear that she had in fact fucked it up, this ‘life’ business, and potentially, irrevocably. The least she could do is be a success at being completely lost. Dear lord, she had to be good at something.

Once the jet lag subsided, she ventured out into the wilderness of LA. After such a long time fantasising about the place (and seeing it projected into the collective imaginations through movie screens and television dramas), the city had a strange familiarity to it. Walking around this city felt like walking onto a movie set where the kitchen looks real enough but the taps won’t give you any water. A city made of plywood and stage flats, L.A. was a town where the grimy film that dulled the windows on Melrose Ave appeared as if it was a hot film set, not to be meddled with by burly grips or coffee hinged First A.Ds. Even the homeless people looked as though they were styled extras in a movie.

With a camera on her hip and a wildly pink paisley scarf draped scandinavially around her shoulders, she, herself, was most certainly costumed and in character. Today! she was a “traveller” (her ‘character’ however, looked more German than Australian. And she couldn’t help but assume that those who met her were slightly disappointed that she was less exotic, and considerably more twangy, than they had first hoped).

As she moved through this staged city as an acted version of herself, she was suddenly hit by the sweet scent of spring flowers. Unless this was some weird Truman show, smell-a-vision movie, these flowers were real. Amongst the smog and the insurmountable fumes of exhaust that were pummeled into the air by monster cars and people who had forgotten how to walk, she would be stopped, every now and then by a waft of florally loveliness. She was literally and metaphorically, stopping to smell the roses… and chrysanthemums.

Everybody’s garden had flowers. Some gardens were tangly and unkempt jungles of overgrown weeds or plants. Others, anally clipped and retentively mown, symmetrical and terrifyingly organised. But they all had bosomy blossoms, billowing before her – and it made her want to illiterate… and smile. There were hibiscuses and germaniums and bougainvilleas. Poinsettias, magnolias and jacarandas. A gentle burst of jasmine and wisteria too. Along with the piss and the dog shit, something sweet and sincere pervaded the streets, and the nostrils, of West Hollywood.

And where was the plastic surgery?

She wondered.

Flowers were one thing, but she had expected the people to be ugly, vacuous, Barbie, bad-porn-like “beautiful”.

Where were the pec implants, the chin jobs, the lipo, the nip and tucks, the puckery duck’s beak like puckered lips? Maybe everyone just had really good work. But their lazy, ruffled skin, the mismatched, comfortable wear, the friendly Gaga-esque weirdoes (who directed me to ‘drop my no bread’ policy for a night if I was to have dinner at the Argentinian steakhouse because ‘the bread was to die for’ - how did she even know I had a no bread policy!!)… suggested no such signs of ‘work’. They were real.

And when I bought my first espresso, I believed the hip boy behind the coffee machine when he said ‘have a good a day’. Everyone said it, so maybe I just wanted to believe it. Maybe I needed to. Either way, I decided it was sincere.

It was here that the author realised she had clunkily moved from the third person to the first. She was no longer ‘she’ but ‘I’ – in inverted commas. ‘I’, of course, suggesting a more authentic voice. If authentic is, in fact, a gradable adjective. Fitting, don’t you think? Meaningful? That we move from the third person, a disaffected, detached voice (one that the author might hide behind) to the first, to ‘I’, that assumes a more truthful (if truthful is a gradable adjective) reflection of an experience?

Yes, I think so. *she thought smugly*

And so, after the real coffee, I flung my pink paisley scarf around my clichéd shoulders, called to my metaphorical bloodhound and jumped into my literal hire car. I was headed North up HWY 1 and if the people in L.A. were real with their crooked smiles and flowery flora... maybe… juuuust maybe, there was hope for this trip yet…






Thanks to Jesse Cotton for the proof and the thoughts before publishing. X

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